progressive electro dance music supported by don diablo, laidback luke !

after a few hot releases on labels such like floppy funk, moonharbour rec, logistic, tom ellis and leif are back in action here with this four track ep titled >refresh/repeat< ep where we are definitely hooked up by their so recognizable style and where they show us their way to mix great crunchy sounds, cut weird voices, jazzy rythms, loud basses and all combined with an impressive sense of groove

new german artist moqito has obviously grown up on a diet of b boy sounds as displayed on this debut! the raw beats of headache of a poet cut to the edge and its definitely got all the drops down, crashing and breaking up as the whole mix thunders along.

the sound of miami wmc 2007! celebrated us producer/dj john julius knight returns to the production forefront with his highly anticipated soulfuric trax ep trax for my head.it features three very diverse productions and is set to capture the attention of a wide range of djs, making this ep a perfect example of jjks ability to create varied sounds to maximum effect. the cut rolls in as a captivating french kiss style tune, that fuses classic house sounds with contemporary beats, making this a seriously gripping instrumental only track. most likely the biggest surprise production wise, the rush is a laid back but equally powerful tech cut. the blend of atmospheric sounds, tight beats and a driving bassline creates a sublime musical weapon. with what is love jjk delivers a prime time bomb, that is set to create some real heat on the dancefloors. uplifting strings and a pumping bassline build the core of this explosive production.

this is fine modern and 80s infected funky cut up disco house at it best.. summer tune!!!

well respected chicago reissue label numero drops their first 12. 4 cut ep feat two original cuts and two new re edits (both re edits done by one of the producers behind the shoes 12s). lord rhaburn combos mad disco funk cut disco connection on the a side and the slow and funky guajida from jesus acosta on the flip. mad retro funk disco goodness!

>1911< on side-a comes with a fat hard beat is running and flowing synth-work is building up and up, effected disco flavor sub-bass twils as if heiko laux and james holden would be collaborated together, even minilogue sounds, massive tech-house. >pixy zap< on side-b,is more cool sense of attitude with really deep acid-bass and synth-pad is on, with element of dubby and sexy minimaltech house. second track >als< on side-b, sounds as with cut up style and feels as delicate sensibilities, mad underground flavor

dj support : jennifer cardini, shinedoe, tobi neumann!! 8bit rojo on side a is a hard dirty groover. starting off as a straight up jacker that over a three minute progression turns into a heavy peak time cut. with a low rez processing throughout the percussion and overdriven subs the name of the game of this track is dirtyness. bouncing underneath the dirt is a slick gliding bass line that slides down from 100hz to 40hz. sure to work the dancefloor from peak time to down time. the b side red tide is a deep headstrong slow builder that elevates like an induced acid frenzy. massive funky techno

here it is. the follow up to daze maxim s fabulous 12inch entitled >simply driving gold< (hello004) which is without a doubt one of the most stunning releases of 2006. on this ep daze hits you again with a funky, bleepy flow to make you bounce. >pull absurde< - the opening and title cut - is a dry, hard hitting, n driven track, accented with daze s typical vocals and breakdowns from outer space. a real bumper. the flipside holds a rough percussive and hypnotic trip - take me home. with this piece mr. maxim proves again his highly individual taste and takes us into a deep journey through the endless world of his musical spectrum …. listen carefully. welcome to planet pull absurde

amazing italo disco anthem! very obscure early italo release previously released on the cult label il discotto (comes as extended instrumental and vocal version). beside the fact this goes for top prices on ebay and has been supported by all the freaks of the industry... this is just a magical piece of music. another essential clone classic cut

disciple of groove is a fresh new label dedicated to the teachings of deep house, influenced by electro, nu disco, space atmospheric beats & cosmic grooves. for this superb debut they have called upon ilya santana already known for his work on balihu, airtight, permament vacation and dessous. hes been supported by artists and djs including daniel wang, linstrom, prins thomas, tiga, steve bug and more. there are 2 a side tracks, analogic mind and blackhole, both inspired by the analogical synthesis of the vintage systems, emphasising a powerful bassline of one of those legendary synths. trademark santana sounds with disco soundtrack nods to giorgio moroder, koto, kano, gaz nevada. the flip includes a remix by jl salvatella, a more straight up dancefloor cut and some bonus beats too

alex bau has succeeded in creating a truly awesome brand with the credo imprint. the first 3 relases have all been extremely highly acclaimed and have been working extremely well on the techno floors across the world. this release again is truly cutting edge with the a side being a distorted bass heavy techno monster with its heavy rumbling bass and very cool 3/4 drum rhythm. on the flip we are treated to another blistering cut as this time the influence is old school elctro with its rolling break groove and heavyweight bass and synth sounds.

6th release on i records sister label i2 records by richard les crees with a filtered funky house cut includes a jackin bryan jones remix

funky filtered house cut with a techy edge by yug feat helen garcia on vocals originally released in 2003 on jamayka blue a must have

with their interpretation of i see a different you jan krause and michael mettke, better known as beanfield, give us an other fine example of their definition of soulful electronics which will keep the dancefloor packed! on the b side we see a different remix (harhar) of the same song, this time rearrranged by the promising production duo innocent sorcerers out of warsaw, making a name for themselves with their releases on raw fusion. attention the innocent sorcerers remix of i see a different you is nominated the best track at gilles petersons 2006 awards.the final cut is alif trees shakin the angels remix of come to me and everyone who is expecting abstract jazzy beats like on his album french cuisin is off the beaten track. le chef du cuisine is cooking up koop techno styleee as he did previously for his also well appreciated felix laband mix.

special re-press of this monstertune , a side is a funky minimal track, flipside with more throbbing electro house cut with 80s spirit!!

we are very pleased to present the final volume in a fantastic remix series. a big thanks to all the dj’s around the world that supported all three releases.volume 3 presents three artists new to aesoteric, all of whom currently reside in barcelona in the coastal stronghold of catalunya. erikotanabe s cut up and chunked down post-minimal mix has been gaining lots of attention from all the heads from london to sydney. the love twizz (2 cheap tricks) mix from tres manos & garcy noise sets a pulsating bassline under lush strings, seductive vocals, and synth stabs

ltd re-press !! classic aphex twin / warp cut.. 1993 wax trax

theodor zox is no exception and after a couple 12inch on morris-audio, releases and remixes on his home labels tic tac toe and 3rd floor he is now on the ramp to be >the man with the groove<! minimal yes… but funky even more!!! rolling bass lines, driving chords and a great sense for arrangements, he is spoiling us with 3 amazing tracks! run away and system of play are 2 typical zox s cut! sharp hh and fat snare sounds with some weird abstract synth lines and vocal samples, that just gives to the whole thing coherence and personality! 2 solid dj tool to use with no moderation! question suggestion on the b-side is for us a masterpiece! all theodor s musicality and also his ability to make people dance are in this track. it s deep and it has such of a strong character that it can be dropped at any moment and it will get you anyhow and… every-time! a great bass/synth hook line with some oriental melodies… no clichés, just good shite!

massive electronic house remix by famous linus loves, incl r&b original !!

tlc gets the funky cut up todd edward remix !!

john >julius< knight returns to the production forefront with his highly anticipated soulfuric trax ep >trax for my head<. >trax for my head< features three very diverse productions and is set to capture the attention of a wide range of djs, making this ep a perfect example of jjk s ability to create varied sounds to maximum effect. >the cut< rolls in as a captivating >french kiss< style tune, that fuses classic house sounds with contemporary beats, making this a seriously gripping instrumental-only track. most likely the biggest surprise production-wise, >the rush< is a laid-back but equally powerful tech cut. the blend of atmospheric sounds, tight beats and a driving bassline creates a sublime musical weapon. with >what is love< jjk delivers a prime-time bomb, that is set to create some real heat on the dancefloors. uplifting strings and a pumping bassline build the core of this explosive production

theodore girthkins,bosco jackson and terell robinson join forces for the most funked up jacked out release to date on this label. starting off is the spudda dudda doo making use of the original sample that gave birth to the 90s anthem gimme some horns with a few additional parts. brilliantly constructed and absolutely essential. flip for corruption, another rare gem being cut and polished as only these three gypsies know how

re-issue of three killer rare tracks - g.a.n.g. s >kkk< is a much sought after italo disco cut from 1983, an amazing deep and tripped out electronic instrumental disco track, >my boss< from linda di franco, produced by don was, is an incredibly rare balearic piece from the mid 80 s that was featured on harvey s >sarcastic mix<, finally >octagon< by onyx is a druggy, spooky, mid tempo electronic synth track that was only ever previously available on a rare 7inch single

first release by mr gelderblom on stereo cool lets go all the way is a percussion driven funker with a nice sax line flip over for rio at night a latin inspired deep house cut and the jackin respected dont miss this ep

the track bandits series continues with legendary us house music producers diggin through the crates and adding new life, to lost forgotten disco/funk tracks, from the 1970s and 1980s us underground. the tbs this time dig that lil bit deeper to provide two more disco classics, cut up, extended and re arranged in an old skool re edit style especially for the dancefloor. first up we have the genius that is curtis mayfield with what is my woman for, taken from the 1979 album heartbeat on rso records us. the track gets the track bandits treatment turning it into a cosmic disco/boogie gem, whilst the flip sees lenny williams with please dont tempt me originally released on 12 in 1977 on abc records us. the track also appears on the album choosing you released in the same year on abc. this again gets the old skool edit treatment with the dancefloor in mind, making this another essential release by the track bandits

eon is back with a kille electro cut

the first cut from their landmark album entitled >i.b.b.<, presented by this japanese-born world class human beat box trio, maurice fulton decided to take this exclusive remix role only for the fans of 12 wax, since that time he got along with the trio at the biggest music festival in australia, big day out

beautiful soothing stuff from jus ed’s fantastic imprint. the original cut is a inspired floating mix of rhodes, strings and a bouncy percussive beat. additionaly theres a more driving mix by jus ed, a oldschool house take by bu mako and a more laid back broken offering from black jazz consortium. quality stuff all around

two funky si begg styled electro mover

minimal ist absolut trumpf auf diesem 4 tracker von den radboud mens beats und clicks schieben jedoch ordentlich vorwaerts schoene sache fuer alle die viel und gerne mixen

number 25… time to do something special again. therefore we compiled four tracks by artists from our mo s ferry pool on this 12inch. the opening track is >nowhere in kansas< by featured with awesome vocals by abe chapman. after this we have tanaka hideyuki s >let me see< which was released on marcel knopf s -bits to phono mix- cd first. finally, we cut the track on vinyl. the other side is >kick< ed by his fellow countryman hidenobu ito, who debuted for us on fenou03. the mini compilation is concluded by label owner dapayk solo himself with a previously unreleased track named >cleansea<. for the occasion we decided to put the record in a unique stamped cover artwork. it s good to have a touchable medium like vinyl, that offers such a potential..

4 track ep mit orientalischem techno !!!

around the fresh video cut we collected different remixes for every electronic taste: niki b & christian e.f.f.e.deliver some of their typical minimal techno genius and confirm the great reactions received from their latest releases. fabrizio mammarella, keeps the funk alive and returns on mantra vibes after some great profile remixes for bear funk, tiny sticks and brontosaurus. santos gives the favour back and closes the remix pack in true shakadelic style, slow and noisy the perfect last record for the insane dancefloors

on the way, joey negros mood house piece echoed shades of the jungle wonz from the late 80s with its retro chicago house vibes and a rolling marshall jefferson style bassline. the original player 1 cut is already a rare underground classic with props from the likes of chicken lips, giles peterson, jimpster etc magik j adds a metro area/booka shade vibe to this dope bass heavy electro jam giving dance floor appeal for both deep and minimal heads

the title track, vizard, starts the listener on a dark journey dripping with eerie rhythms and synthetic noises. a kick emerges from the moody ambience to lead the way for syncopated percussion and brooding bass.argentinas whiz kid barem pulls vizard in a funkier direction with his rework, while maintaining the moody atmosphere of the original. with shuffling percussion and a bassline designed to invigorate, the haunting beeps add the slightest oomph while keeping the listener shrouded in mystery as to where the track will travel next.i gotta move on is a melting pot of dark, groovy and quirky ingredients, a recipe perfected simply for enjoyment. the vocal samples are chopped so fine youd think they were cut with a chefs knife

a side feat 2 electro flavoured mixes by moratto flip over fot 2 funky mixes by datura

dubsided has created a name for quality club music with an edge, and growing an audience of discerning music buyers. >see me< features three tracks of funked up fidget house at its best. from the boompty acid house of the title track to the wobbly jackin third cut this is a well-rounded, peak-time 12inch

after his much applauded tribute to manuel göttsching, norwegian martial arts grand wizzard blackbelt anderson returns with another deadly sample of his secret technique: the main cut >alfaz de pi< molds the ancient styles of cowbell driven space disco and ruff acid into a powerfull weapon for dancefloor action. >sandoz< overwhelms in a more gentle way with its sweeping balearic chords and the melancholic melodie while the prins thomas edited >snake eyes< hands out some hard capoeira style slaps. surely one of the most crushing releases on full pupp so far.

label owner glenn wilson kicks of his 2006 assault by teaming up with stockholm new breed manuel fuentes. a1 sees glenn lay down a slamming stripped down twisted fat cut, >make um clap< which rips through some analogue sequences and pitched voxs, while keeping some solid twisted funky edits this cuts never eases up from start to finnish, manuel pumps the b1 with unity a fierce slammer which breaks down into nice grooves while layered with funky drums and percussion. glenns >we got too< cut, completes the release with once again a tough voxed workout appealing to the harder funk mob

minimal as dry as the tundra, bassdrums with the charm of a frozen lasagna, and along with these are served various audiosplinters and mean little sound coming out of nowhere. this all together will make your ears shake and your legs vibrate. misc. cut and chopped this track in many little pieces and rebuild it all new, so every sound can live and grow in a completely new environment. two flowing-staccato tracks in slender and elegant colours..

the loose cannons return with a killer new cut entitled raw. the original mix finds the cannons dropping their trademark electro disco funk that is not that far away from superthriller. mixes come from cagedbaby who deploy a freeform five sounding mix while kissy sell out drops an almighty bass monster.

label head emerson joins holger nielson and holger flinsch(addon) who recently revitalised the legendary kiddaz.fm label with two great releases. after releases on micro.fon, hidden agenda and toratoratora, holger nielson aka holgi star now arrives on freak waves in combination with fellow producer holger flinsch from rotary cocktail. >paper bob< and >billy bob< are two strong super danceable techno tunes. cut 1 is the outstanding >bob s hope< catching you with the infectious minimal groove and cool vocals. in on remix duties is dj emerson steering the original into an mad groovy afterhours frenzy with a deep tough and a heavy bass drum & bassline

the darker offshoot from the luxaflex label resurfaces after two successful releases. both cuts have received heavy rotation and positive feedback from many of todays key players. space explorers is the brand-new project from the serbian wiz kids marco nastic and marko milosavljevic! these men can easily be describes as two of the most promising producers of this very moment. after a fresh minimal cut on luxaflex, the space explorers return to its sub label and deliver a wicked bass-heavy minimal cut. expect to hear loads more from this new collab soon, cause just boys are just getting started !!

woody mcbride has been makimg superb pioneering techno for many years now under many different guises including dj esp and this release is another real cracker. it is brought to us by american label - wreckless recordings. the 4 tracks themselves are an excellent wide ranging bunch from the menacing deep a1 cut stop to the dark and eerie b2 that is egocide

first remix features rick preston and dtc doing a deep house rework. the infectious groove is set off with crisp percussion, bubbly washes, electric guitar riff and chopped up vocaleffected into heady subliminal hooks. sunny guitar sols, warm chord progressions and timely effects round out the cut. trademarqs approach on their mix is a bit left of cente as they twist and mangle the original. they stretch and deform a few key parts into a truly unique cut. a cutting edge sound with shuffling and jacking beats leading into some massive sub bass and a haunting sustained synth line.chopped up vocals and dubbed out playful piano complete the sound

huge collaboration here between sweden s top duo tiger strips and the red-hot kerri chandler. >rain song< is an absolutely stirring vocal cut with some heavy duty afro-latin percussion and powerful brass moving things along. top peak hour track right here. on the flip you ve got two tiger stripes mixes - a hot dub and an instrumental - that take a more techier approach. very similar vibe on these to kerri s massive >bar a thym<

brill deep driven electronic space disco , with remixes by nick chacona, muallem & the light command

ultraphat jackin funky cut-up techhouse bomb !! pure sex !!! (check mix 3)... pure dope, believe me